Monday Mixtape, Vol. 190
Did I mention last week that Billie Eilish released an album? Well, the first track on this week’s mixtape is breathtaking, raw, vulnerable, sexy, and unlike any song I’ve ever heard. It’s so unique it’s haunting. She’s an original. And her brother, FINNEAS, producing all these tracks really does show his genius.
Isaiah Rashad is one of the most original voices in rap in a decade. No one sounds like him. You can definitely say he can sounds like Outkast and is influenced by certain sounds or genres, but his production, flows, and changes in vocals from silky smooth to smokey gnarl to in-between is rare. He’s rare, and while he’s on one of the hottest labels around (TDE, same as Kendrick, Schoolboy Q, SZA, and Jay Rock), he’s still underrated and under appreciated. Don’t just listen once to this guy and give up, listen A LOT.
Listen to his flow in RIP Young and how he transitions from a verse in a spitfire of syllables to instantly pumping the brakes in a cooled down chorus (starting 1t 0:35):
Verse
My dog out layin' down the law, ain't breakin' no laws or serving out the rock /
Southside still fuckin' in the car, still flippin' in the car, still shootin' out the car /
Lil' hotbox smokin' our jar, now I'm fuckin' on a star, hold up, I got a call /
My dog out layin' down the law, ain't breakin' no laws or serving out the rock /
Southside still fuckin' in the car, still flippin' in the car, still shootin' out the car /
Lil' hotbox smokin' our jar, now I'm fuckin' on a star, hold up, I got a call /
Chorus
Bitches say that I'm a cool cat, fuck that /
Tell them bitches I'm a Top Dawg, get shot /
Roll the window, let the propane outside /
Bunch of niggas doin' donuts /
Got the money in a headlock, big dog /
Every time we hit the red lights, just shine /
It ain't nothin' but a good day, don't die /
They ain't teach 'em how to pump fake, big shot
In other news, one of my favorite bands of the past five years, Hippo Campus, just released an LP, Good Dog, Bad Dream. Still haven’t decided on my favorite track, but I love how this bass line guides the song the whole way through.
M.A.G.S. continues to impress me with every single he releases. Who the hell is this guy??