Monday Mixtape, Vol. 202

Welcome to the world’s shitshow, 2022! On the most recent All-In pod, my favorite podcast, David Sacks made a comment I hadn’t heard yet: This global COVID crisis may be the biggest event of our lifetimes and may be the biggest event since World War II.

In essence, it’s been a war of many sorts, only one being the deadly virus that’s killed millions. But at some point, we’re going to get around the bend of this crap. I think 2022 is the year we turn.

So let’s get back to one of the biggest cures of all of our ills: MUSIC.

Lots of random stuff on this week’s mixtape, but the VIP is Bando, a new rapper from Texas that I discovered on one of this week’s tracks, “Payday”, with my favorite, Isaiah Rashad. This guy’s got bars, great beats, and he’s got a presence. He’s missing a unique voice like all the greats have, but he’s still got crazy talent. Keep an eye on this guy.

I heard Windser on a SiriusXM channel and loved the track. Gave me some Real Estate-y vibes.

Lucius and The Weeknd bring their catchiness, and lastly, Father John Misty released his first single to his new album. I like the track, and we’ll see what he’s got in store for the album. I’ve gone through waves with Misty, and right now, I’m not all that excited about him, but he’s got the talent to prove me wrong.

Have a great week all.

Monday Mixtape, Vol. 165

So much great stuff for you on this Monday! We start it off with Pink Sweat$, a chubby black guy who physically (and I guess a bit musically too!) reminds me of PM Dawn (who gets a nostalgic nod on this mixtape too) while musically reminding me of an amalgamation of Frank Ocean, Bruno Mars, and Khalid. And let’s also give respect where respect is due: he’s got the best album cover of 2020 on wrap:

Pink Sweat$

Another newcomer, Nick Grant, is one talented rapper. Loving “FEDS” and been listening to him a bunch recently. You’ll hear more of this guy.

As usual, Justin Vernon is in high demand. He was on a Taylor Swift track from her phenomenal new album, and he’s got an appearance on a song on The Japanese House’s recent LP.

For the David Byrne / Talking Heads fans out there: Whitney came out with a cover of “Strange Overtones,” and they put a tad of a spin on it while staying true to its roots, so I think it plays pretty well.

Speaking of Talking Heads’ covers, I recently got the 10th Anniversary vinyl edition of Local Natives "Gorilla Manor” (one of only 1,000 made!). Gorilla Manor is easily one of my favorite records of the past decade, and it always gives me nostalgic memories of where I living, what I was doing, who I was, and so much more. Albums that really bring you back to a time yet still resonate on listens today are truly special. And my goodness, does “Wide Eyes” sound amazing on vinyl! (Sorry, no Local Natives on today’s mixtape.)

Every track Arlo Parks has released in the past couple years, I’ve been totally digging. She always has good beats, and she reminds me a bit of Clairo (maybe it’s the voice?) but she’s got more rhythm. Check her out.

Finally, a favorite of mine, Sir Drake. I didn’t think the use of “baby” so often could actually turn into a catchy track. The video is also pretty funny as he’s just getting embarrassed by pro athletes on Nike’s campus (and yes, also a pretty huge marketing ploy though I don’t think Drake is on Nike but all the other people are).

Drake’s the best. I just love him. I love all the haters of Drake, and the people that don’t consider him a rapper, or think he’s weak or whatever, it’s comical to me because they get SO UPSET. It’s just like, dude, just go back to listening to Gucci Mane and leave me in peace. Not ironically, but this Drake track is all about all the dumbs rappers that talked shit to Drake and spoke of the huge life they lived, yet now they’re broke and fell off the map. The consistency of Drake’s quality is ridiculous. It’s still going. And I’m loving it.

That’s all, have a great week.

Monday Mixtape, Vol. 155

I’m VERY excited about an artist I just stumbled upon, and I have been listening to him nonstop since. I have listened to his entire discography many times, and wow, I’m pretty excited about how good this guy is. Next week I will have a Monday Mixtape dedicated solely to him.

As for now, I’m just going to shutup and play the hits.

Monday Mixtape, Vol. 94

Kendrick Lamar was tasked with creating a soundtrack to the recently released Black Panther, and the results aren't exactly surprising. It's great. It's varied in sounds and production yet stays cohesive, and Kendrick pastes hooks, verses, and his imprint over most of the songs. Featuring appearances by Future, The Weeknd, Ab-Soul, Jay Rock, SZA, Schoolboy Q, Khalid, Vince Staples, Anderson .Paak, James Blake, and Travis Scott, it's like rap's All-Star Game. The album is one of my fave soundtracks I've heard in quite some time. Check it out!

I was watching (the movie) Whiplash again, and it prompted me to get on a jazz kick last week. I stumbled upon this track from John Coltrane and Duke Ellington, a beautifully rhythmic song strolling through a wintry evening.

And finally, MGMT released a new album which goes way back to their pop-like ways. I still need to digest it, and I'll get a couple more tracks.  

Monday Mixtape, Vol. 82

Ladies and Gentelmen, 

It's been a hectic weekend with my attendance at Outside Lands so I won't be writing much. It's been pretty disappointing given that A Tribe Called Quest cancelled their performance TWICE and crushed my dreams of seeing them (although with 2/3 the group in tow, RIP Phife). They were far and away the band I wanted to see most. You win some, you lose some. 

In retrospect, this was the most disappointing festival I've been to. The lineup was not all that impressive, and the acts just failed to really perform at a high level consistently. Surprisingly, one of the best acts of the weekend was Goldroom who came out with a full band and just crushed the small Panhandle stage. The crowd loved them. The other two great performances of the weekend go to Royal Blood and Metallica. 

But in honor of Tribe, this week's mixtape is focused on rap. Haven't done one of these in a while, so I hope the hip-hop heads out there keep nodding that head. 

Listen to this Song - The Weeknd "Secrets"

A year or two back I had an intervention with The Weeknd. He was doing entirely too many drugs and did not sound well. So I had to step in. 

Unfortunately, the intervention didn't work as The Weeknd continues to sing about doing copious amounts of drugs on his new album. 

If there's one thing I've learned in my old age it's that drugs make you cool and then once you're no longer cool you're addicted to drugs. 

But this is neither here nor there! The important part of this rambling is that The Weeknd released a ridiculously catchy song on his new drug-filled album. It's called "Secrets" and I can't stop playing it.

I'd just like you to hear it before it gets played so damn much that you can longer feel your face. 

Enjoy!

Monday Mixtape, Vol. 24

A bunch of albums just dropped on Friday, including Chvrches, Future and Drake's mixtape  (although released earlier, it's now available on Spotify), The Underachievers, Kurt Vile, and Disclosure. A lot of bands I love. Unfortunately, I haven't been able to get through them too much, so I imagine they will be the focus on the next mixtape.

In the meantime, I've included some of my favorite tracks that Ryan Adam's covered from Taylor Swift's 1989

I have a ton of respect for Chvrches' lead singer, Lauren Mayberry. She's taken on the dark world of social media by calling out misogynistic cowards trolling her with disgusting rape tweets and comments. In her words: "Bring it on motherfuckers. Let's see who blinks first."

She formed a female collective called TYCI (please read the great profile on Chvrches written by Caitlin White on Stereogum for a breakdown of that acronym and more) in order to “break down misguided notions of feminism and gender boundaries.”

She's carried a shit ton of weight for things that should not have to be carried. Chvrches' first track on their new album is the only track I've heard so far. But you can really feel Mayberry's exasperation when she belts, "Here's to never ending circles / and building them on top of me." 

I don't know how we can cure the disgusting diseases spreading under the guises of social media,  but at some point there has to be a bit of accountability. Artists living in the limelight (and yes, boohoo, you may say, she's probably got a good deal of money and gets to see the world, but there are people whose talents inevitably lead them to popularity due to the field they are in. That doesn't mean it's ok to have to deal with a "connected" world that is becoming less accountable for our actions) should have a comfortable work environment just like I have at my job.

It may be somewhat hypocritical to follow this all up when I have a track by Mac Miller, a rapper who says "bitch" too many times to count on his new album and talks about sex with said women more often than not. Degrading lyrics referencing "bitches" and all that stuff is an entirely other (interconnected) problem, but one that I am nowhere near intelligent enough to address in a blog post. 

There is music that many of us can point to that we enjoy despite the lyrical content. Sometimes I take the good with the bad and chalk some of the poor judgments by artists as bad taste but not hate. It's a fine line between artistic expression and lyrical subjugation. Other times that line is clearly stepped over (like early Tyler, the Creator lyrics). It's important to acknowledge that. 

I wanted to write an album review on Mac Miller's GO:OD AM, but I unfortunately did not have time this past week. The main thesis would have been that the production and flow of the album is far superior and more professional than anything else he's done. Unfortunately, his lyrics are still adolescent. The lyrics are dumb but not an outlet of hate, just ignorance. His interviews provide him as a young 23 year old who was given fame and money too young. I do hope he grows up and his next album lyrically shows it.

I've also been enjoying Baio's debut album and this track on the mixtape tickles me just right. 

Have a great week. I'm going to France (!) for two weeks so I will not be uploading a Monday Mixtape next Monday (I had a 24 week streak!), but I will be taking a ton of pictures that I will post on the blog!

Till then!

Monday Mixtape, Vol. 21

Sometimes a week or many weeks will pass by without too much music that gets me excited. Then a week will come by that is overwhelming in its breadth of tunes that get me amped. Last week was the latter.

Foals just released their fourth album, What Went Down, a more rock-oriented album which built on the pieces that made their prior stuff so enjoyable and unique. The title track is all you need to hear to gauge whether this band and album is for you. The buildup to this track hinges on Yannis' warbling vocals and an excitable drumbeat, culminating in an orgy of sounds blasting through your eardrums. I can't wait to see this album live.

Listen to the hip-hop drumbeat that starts "Cold Tears" by AM & Shawn Lee and ask yourself if it sounds familiar? Anything?

I LOVE this track by JT (and unabashedly love JT's music), but it's all propelled by that drumbeat by Pharrell. The fact that The Clipse are featured only makes the song that much better.

Speaking of rappers, guess who's back? Mighty Mos! Blackstar's (only) album and his own Black on Both Side are two of my favorite rap albums ever. His lyrics and easily identifiable voice (you can hear it's Mos in a split second - just like Q-Tip) are his trademarks. May I offer an example? (Starting at 0:15)

My restlessness is my nemesis
It's hard to really chill and sit still
Committed to page, I write a rhyme
Sometimes won't finish for days

Scrutinize my literature from the large to the miniature
I mathematically administer
Subtract the wack
Selector, wheel it back, I'm feeling that
From the core to the perimeter black
You know the motto
Stay fluid even in staccato

Moving on, The Weeknd just released his new album, Beauty Behind the Madness. It's crazy how much he has blown up since "Can't Feel My Face" became the #1 hit on Billboard. It feels like an eternity since I wrote about his obsession with drugs, and now he's on the covers of magazines, performing at award shows, and constantly clogging your radio station.

I've listened through his album a few times and am overly impressed with the whole thing albeit a couple clunkers ("Dark Times" with Ed Sheeran seems like a completely forced guest appearance to gain listeners and sales). 

One of my favorite tracks from the album is the Kanye West produced "Tell Your Friends," an R Kelly-sounding slow jam with The Weeknd sweetly puffing out his chest as he talks about his usuals (see: his hair, poppin' pills, fuckin' bitches, living life trill, cocaine, and other blatant disregards for the opposite see - for further references, see: An Intervention for...The Weeknd).

The distorted, auto-tuned guitar (playing throughout but easily heard at 2:49 - 3:14) is pure Kanye. I recognized the sound from tracks from his classic My Beautiful Dark Twisted Fantasy, mainly "Devil In a New Dress" and "Runaway":

Starting at 2:52:

   Starting at 6:05:

It's cool to hear influences remain and are still borrowed (somewhat) subtly in a musician's arsenal, and the production form "Tell Your Friends" is really superb.

I just started listening to Widowspeak - as in, I just heard this song today and instantly fell for it. I have a sweet spot for chill tracks, and this track has a subdued pace, sweet and soft vocals, and a bit going on in the background to keep it entertaining. 

I can't stop listening to this track from Half Moon Run. Their debut album last year, Dark Eyes, was a weird amalgamation (I looked this word up to make sure I was using it right, definiton: the action, process, or result of combining or uniting.) of Radiohead and Kings of Leon. I always heard a bit of Thom Yorke and Radiohead's spaced out sounds while keeping some rock elements I heard in KOL.

But if you can't hear the Thom Yorke's influence IMMEDIATELY from the beginning of this track, you haven't been listening to enough Radiohead! Although the pace is much slower on this Radiohead track (my favorite from King of Limbs), just listen to the opening vocals:

Lots of sounds and influences this week! Happy Labor Day!