In mid-December, I stumbled upon an album that blew me away. One of those mesmerizing albums to listen over and over. I won’t forget where I was listening to this, when, and it’s impact on me. The band is Turnstile. The album is their third, GLOW ON.

Turnstile isn’t a rock band, they’re not hardcore, they’re not 90s grunge, they’re not punk, they’re not screamo. They’re an amalgamation of the best of all of these genres being played at the perfect times during songs. It’s raw and unique, influenced by previous generations, yet no one has made music like this.

Each band member’s instrument stands out on so many tracks. And the sounds, lyrics, and emotion explain the rest.

This is an album for you to experience. It’s for the opener, “MYSTERY” to blast off your speaker doors. It’s for the cowbell to break down on “BLACKOUT” and the piano to explain on “DON’T PLAY.” It’s a relaxing state of calm on “ALIEN LOVE CALL” amidst the surrounding chaos, culminated in the massive mosh pit that is “T.L.C.”

And only after the album ends to you fully exhale…

As for the other 24 albums, Isaiah Rashad’s The House Is Burning, his third album, continues to astound me. His music is on his terms. There are songs that people unfamiliar with Rashad would scoff at because it doesn’t sound like it’s supposed to, but those are the true artists you have to pay attention to. The more time you spend with all of Isaiah Rashad’s three albums, the more you’ll fall in love.

Speaking of falling in love, Faye Webster is a gem. Her low-key, maximum chill albums are meant for sunsets with your feet up. Her music is epitome of “state of mind” music where it just relaxes me. She’s not catchy, no songs get stuck in my head, but I’m always coming back.

Vince Staples self-titled album comes in at #4. It’s my favorite album he’s released in a discography with great quality control. Like Rashad, Staples is underrated (though not nearly as ignored by critics as Rashad) because of his lack of “hits” and “star power,” yet that’s his exact strength. He is who he is. He makes the music to express himself, nothing more, nothing less.

Staples’ 2021 album is melancholy and trauma. On first rep, the album sounds chill, but digging deeper it’s haunting. Staples is lonely and in a dark place. He can’t escape (mentally or physically) his hometown of Longbeach, CA, where his traumatic past of murder, gangs, guns, and survival still ring inside his head today.

As always, the artist says it the best:

Fuck a friend, I don't want no friends with no open hands (Fuck 'em)
Count my bands, all alone at home, don't you call my phone (Fuck 'em)
Everyone that I've ever known asked me for a loan
- “Law of Averages”

When I see my fans, I'm too paranoid to shake they hands
Clutching on the blam, don't know if you foe or if you fam
I don't got a plan, I'm just out here thugging 'til the end…
I am tired, tired, over again.
- “Sundown Town”

Don’t get murdered, lil’ niggas out here with no purpose…
It's not what you think
I could be gone in a blink
I don't wanna leave
Yeah, it's not what you thought
We dying broke or live with broken hearts
- “The Shining”

Verse 1
I don't wanna die, but I will for the cause…
I don't wanna rebound, I just wanna sleep sound
Don't wanna dream 'bout the shit I done did
You know these trips come with baggage, been all 'cross this atlas
But keep coming back to this place 'cause they trapped us
I preach what I practice, these streets all I know
And there's no place like home

Verse 2 (The BEST verse on the whole album!)
Yeah, I'm on PCH, going south, blower on the seat
With the windows down, music loud, let 'em hear the beat
When it's quiet out, I hear the sound of those who rest in peace
Tryna drown the violence out, but let 'em say that they want beef
And we riding out, finding out where them niggas be
If they hanging out, lay 'em out, airing out the street
Then it's out the way, out-of-state, please don't tell on me
Don't need no more felonies, all these broken memories
I be solo dolo, never know who working with police
When I hit the set, it's loaded; I don't know who envy me
I'm the only one who made it out—you remember me?
Is you a frenemy? You plan on killing me? No?

Finally, my #5 Album of 2021 is a veteran, one that was my #16 (criminally underrate by me!) Album in 2017 and #2 Album in 2014, The War on Drugs. It’s a great album yet only their third best album. Check it out.

And some quick hits on the other 20:

The Deafheaven album is a must-listen if you enjoyed “Great Mass of Color”
The Floating Points album is the only instrumental album this year. Great study music.
CHVRCHES continues to put good music out.
Black Country, New Road is for a very specific crowd, but it was one of the most unique albums I heard this year.
Arlo Parks has been hailed by every critic for this album, rightly so. It’s worth checking out.
Lute is a rapper who tells it like it is and sounds like he means it. I loved this album, and there are so many great features (like JID, Little Brother, Saba, and Cozz) on it.
Big Red Machine is a super duo (Justin Vernon and The National’s Aaron Dessener) who got a ridiculous amount of performers (Taylor Swift, Robin Pecknold of Fleet Foxes, and Sharon Van Etten), and the album is very mellow. A great weekend play.
Benny the Butcher is one of my favorite new rappers out there. He’s “drug rap” which isn’t everyone’s thing, but the man played the game to get to this point and tells the tales.
Parquet Courts keeps making their unique blend of rock sound compelling.
Little Simz should probably be higher, she’s a phenomenal MC, lyricist, and storyteller. This album was on all the big publications’ year end lists.
Speaking of artists on big publications lists, Tyler, the Creator’s album this year was rated as the best album or in the top five by a number of the most noteworthy publications. I did not feel their love of the album nearly as much, but the album is great from front to back, and no one sounds like Tyler.
Last one I’ll mention is Doja Cat. I seem to have one album on the pop spectrum every year (last year, it was Dua Lipa), and this album is ridiculous entertaining, upbeat, and enjoyable. She’s a great performer and rapper. I listened to this album all the way through and was wowed.

That’s it for the year of 2021! Thank goodness. But at least we had music. Here’s to 2022!